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Eric Hope's A Handbook Of Piano Playing PDF

By Eric Hope

ISBN-10: 140676647X

ISBN-13: 9781406766479

While I observed this "pamphlet" (hardly justifies being known as a e-book) ranging in expense from approximately $22 to $40+ being provided from Amazon, i used to be looking ahead to anything beneficial of that top expense. while I ordered it, i presumed it might be a fairly large publication, choked with valuable info, and that i anticipated that i'd be entering into go back what I paid for it. What a major surprise and unhappiness I obtained whilst the publication arrived! i would not name it a e-book yet particularly a skinny pamphlet of in simple terms seventy two pages (the first web page starts off on web page nine . . . so really, there is merely sixty three pages). I learn via it completely in under forty five mins (average studying speed). there has been little or no important info during this pamphlet, so much of that's abundantly to be had in different books. If I had the chance to preview this pamphlet ahead of procuring it, i might have anticipated to pay just a couple of money for it. yet, on the rate I paid for it ($26.45), it truly is an "OUTRAGEOUS RIPOFF". CAVEAT EMPTOR (buyer beware).

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Additional info for A Handbook Of Piano Playing

Sample text

One D This will produce an unpleasant clashing of D natural against flat. In any case, is the use of the pedal really desirable during the first two beats of this bar? It will only obscure the melodic line, and, as far as the left hand is concerned, D capable of holding down without its aid, during the playing of the flat on the second and third beats. Would it not flat and be much better to pedal the opening bars of the Valse like the fourth or the the dotted minim fifth finger is quite F D A this?

Almost every pianist who has made a gramophone record, and has afterwards listened critically to air of conviction 60 SOME HINTS ON INTERPRETATION have noticed a curious fact: in rapid to follow each other more quickly than they appeared to do when he was playing. Various explanations of this phenomenon have been put forward, all of them, so far as is known, hypothetical; but, from such an the reproduction, will passages the notes experience, we may seem take it as axiomatic that a listener hears music at a slightly faster tempo than does the performer.

The preparatory work which we have done will Now is the time to give largely take care of the right notes. ourselves up to the mood of the music, the flow of the rhythm, the curve of the phrases with their points of climax and repose, and the shape of the piece as a whole. In this way our 56 PRACTISING mental activity will gradually become transferred from technique to interpretation. In the first stages of learning the composition, accuracy of notes was our primary objective. Our approach now will be different.

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A Handbook Of Piano Playing by Eric Hope


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