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Download e-book for iPad: A Pictorial History of Horror Stories by Peter Haining

By Peter Haining

ISBN-10: 1850510598

ISBN-13: 9781850510598

A PICTORIAL background OF HORROR tales:
Two Hundred Years of Illustrations from the Pulp Magazines

This booklet is essentially a page-for-page reprint of Haining's past e-book entitled "Terror: A background of Horror Illustrations from Pulp Magazines." there is not any new fabric. the single distinction is it's a hardback with diversified disguise artwork. whereas it's relatively thorough in visually documenting the evolution of horror representation from the "penny-dreadful" magazines of the Victorian age throughout the pulps of the '30s and '40s, it has an incredible shortcoming -- lots of the luridly colourful pulp journal conceal photographs are reproduced in B&W. That makes for a truly monotonous learn. nowadays, more moderen books concerning the pulps consistently reproduce the covers in wonderful colour. Why they didn't see healthy to do this within the '70s and and '80s is a secret and a disgrace. a person must revisit the topic of horror pulps and do it right.

4to, smooth illus bds with lurid photo of monster attacking a slumbering lady, 176pp. Lavishly illus in color and in B&W. Many artists are represented: Mary Byfield, Henry Anelay, John Gilbert, Sidney Paget, Margaret Brundage, and so forth. those illustrations are consistently fascinating.

A ceremonial dinner of nightmares in photographs, rescued from the crumbling pages of lengthy lifeless periodicals. levels over 2 hundred years of gory, ghoulish and terrifying from the 1st Gothic engravings of Mary Shelley's Frankenstein to that wealthy and sundry treasure condo of horror illustrations

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Collier tells his little tale economically and neatly and clearly illustrates the point that it is best to quit while you are still ahead. Boyer, Elizabeth (1913–2002) Elizabeth Boyer was one of the more interesting of the crop of new fantasy writers who emerged during the 1980s. Although her plots were very similar to those of her contemporaries, she employed a quiet but pervasive sense of humor that enlivened her stories, all of which are set in the magical world of Alfar, although they are arranged in three separate sequences.

As is the case with most of the best supernatural fiction, the true horrors take place inside the protagonist’s mind. His slow submission to the wiles of the ghostly spirit, who is never identified or actually seen, is relentless and convincing and has an air of inevitability that draws the reader on even though it is clear that the destination is going to be an unpleasant one. Bellairs, John (1938–1991) John Bellairs was one of several writers of children’s fantasy adventures who also enjoyed a following among adult readers, thanks to his unusual imagery and clever sense of humor.

Blackwood’s short fiction continued to be strong in the years that followed, but only “A Descent into Egypt” stood out. His fascination with reincarnation and the occult manifested itself in Julius LeVallon (1916), which is quite complex and successful but a type of story no longer in fashion. The sequel, The Bright Messenger (1921), was much less interesting. The Wave (1916) is also a routine novel of reincarnation and the survival of love across the ages. Day and Night Stories (1917) underlined the shift in Blackwood’s emphasis, relying much more on mystical and occult themes than on the supernatural.

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A Pictorial History of Horror Stories by Peter Haining


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