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New PDF release: Acting for Singers: Creating Believable Singing Characters

By David F. Ostwald

ISBN-10: 0195145402

ISBN-13: 9780195145403

ISBN-10: 1423745760

ISBN-13: 9781423745761

Written to satisfy the wishes of millions of scholars and pre-professional singers partaking in construction workshops and periods in opera and musical theater, appearing for Singers leads making a song performers step-by-step from the studio or lecture room via audition and rehearsals to a profitable functionality. utilizing a transparent, systematic, confident technique, this useful advisor explains easy methods to research a script or libretto, exhibits how you can strengthen a personality construction on fabric within the rating, and provides the making a song performer the instruments to behave believably. greater than only a "how-to" performing booklet, notwithstanding, performing for Singers additionally addresses the issues of focus, belief, projection, verbal exchange, and the self-doubt that regularly afflicts singers pursuing the target of plausible functionality. half I establishes the elemental ideas of performing and making a song jointly, and teaches the reader the best way to improvise as a key device to discover and boost characters. half II teaches the singer easy methods to learn theatrical paintings for rehearsing and appearing. utilizing concrete examples from Carmen and West part tale, and ingenious workouts following each one bankruptcy, this article teaches all singers the way to be powerful making a song actors.

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Additional info for Acting for Singers: Creating Believable Singing Characters

Example text

Therefore, you can safely assume that every word, every note, every dynamic, every orchestral color, and every stage direction is there for a reason. Just as a painter carefully chooses and integrates his colors, lines, and forms to create a composition that expresses his interpretation or point of view, so the composer and librettist choose and integrate music, text, story, characters and feelings to explore theirs. But unlike the painter, the composer and librettist need you, the performer, to bring to life what is otherwise only a blueprint on paper.

Look in a mirror. What “kind of person” does the piece of clothing make you look like? ” . Put on some music. Move to it—walk, gesture, dance. a. Imagine different physical circumstance and let them affect the way you move. Choose a different age: you are three years old; you are eighty. You are a twenty-one-year-old of the opposite sex. Change your physical characteristics: your left leg is rigid; your neck is a rubber band; your arm is a rope. Change locations: you are on the moon, in the Sahara desert, under water.

Are there places in my body that seem rigid or tense? Is my weight well balanced on my feet? Do I breathe from my diaphragm, without lifting my shoulders? Do I use my voice expressively? The hardest part about using videotape as a constructive learning tool is setting aside irrelevant self-appraisals like “I hate my hair” and concentrating on evaluating your effectiveness. It helps to remember that just as a sound recording is not an exact reproduction of your live voice, so a videotape does not exactly reproduce what you look like.

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Acting for Singers: Creating Believable Singing Characters by David F. Ostwald

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